Hier und Anderswo. Palästina-Israel im essayistischen Film (1960-2010)
Peter Grabher questions how French, Israeli and Palestinian filmmakers between 1960 and 2010 have dealt with the Middle East conflict and with audiovisual representations concerning Israel-Palestine. He examines the transgressive strategies of essay films by Chris Marker, Jean-Luc Godard/Anne-Marie...
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| Format: | Electronic Book Chapter |
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2020
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| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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| 520 | |a Peter Grabher questions how French, Israeli and Palestinian filmmakers between 1960 and 2010 have dealt with the Middle East conflict and with audiovisual representations concerning Israel-Palestine. He examines the transgressive strategies of essay films by Chris Marker, Jean-Luc Godard/Anne-Marie Miéville, Ariella Azoulay, Udi Aloni, Ula Tabari und Elia Suleiman and provides a detailed analysis of their historical and aesthetic context. | ||
| 520 | |a Peter Grabher untersucht, wie französische, israelische und palästinensische Filmautor*innen zwischen 1960 und 2010 auf den Nahostkonflikt und die audiovisuelle Repräsentation Israel-Palästinas reagierten. In detaillierten Filmanalysen beschreibt er die transgressiven Strategien von Essayfilmen von Chris Marker, Jean-Luc Godard/Anne-Marie Miéville, Ariella Azoulay, Udi Aloni, Ula Tabari und Elia Suleiman, sowie deren historischen und ästhetischen Kontext. | ||
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| 653 | |a Israel-Palästina, Nahostkonflikt, Palästina, Israel, Essayfilm, Dokumentarfilm, Visual History, Medien, Repräsentation, Chris Marker, Jean-Luc Godard, Anne-Marie Miéville, Udi Aloni, Ariella Azoulay, Ula Tabari, Elia Suleiman | ||
| 653 | |a ÖFOS 2012, Kodikologie | ||
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| 653 | |a ÖFOS 2012, Contemporary history | ||
| 653 | |a ÖFOS 2012, Aesthetics | ||
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