Chapter 24 Ethics in audience research By the book or on the hop?
The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and...
Gorde:
Egile nagusia: | |
---|---|
Beste egile batzuk: | |
Formatua: | Baliabide elektronikoa Liburu kapitulua |
Hizkuntza: | ingelesa |
Argitaratua: |
Taylor & Francis
2022
|
Gaiak: | |
Sarrera elektronikoa: | OAPEN Library: download the publication OAPEN Library: description of the publication |
Etiketak: |
Etiketa erantsi
Etiketarik gabe, Izan zaitez lehena erregistro honi etiketa jartzen!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | oapen_2024_20_500_12657_53879 | ||
005 | 20220407 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20220407s2022 xx |||||o ||| 0|eng d | ||
020 | |a 9781003033226-28 | ||
020 | |a 9780367470753 | ||
020 | |a 9780367695842 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.4324/9781003033226-28 |c doi | |
041 | 0 | |a eng | |
042 | |a dc | ||
072 | 7 | |a AN |2 bicssc | |
072 | 7 | |a AS |2 bicssc | |
072 | 7 | |a JM |2 bicssc | |
100 | 1 | |a Johanson, Katya |4 auth | |
700 | 1 | |a Glow, Hilary |4 auth | |
245 | 1 | 0 | |a Chapter 24 Ethics in audience research |b By the book or on the hop? |
260 | |b Taylor & Francis |c 2022 | ||
300 | |a 1 electronic resource (18 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Theatre studies |2 bicssc | |
650 | 7 | |a Dance & other performing arts |2 bicssc | |
650 | 7 | |a Psychology |2 bicssc | |
653 | |a audience, performance, theatre, dance, opera, music, history, arts management, cultural policy studies, sociology | ||
773 | 1 | 0 | |t Routledge Companion to Audiences and the Performing Arts |7 nnaa |o OAPEN Library UUID: ea1051d6-a3e9-4727-84ef-54e1b8d093b0 |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/244f30eb-a638-4ec8-9e46-c2f469fa5b7d/9781003033226_10.4324_9781003033226-28.pdf |7 0 |z OAPEN Library: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/53879 |7 0 |z OAPEN Library: description of the publication |