La fortuna del 'Secolo d'Oro' Per Marco Lombardi
The 17th century was the "century of theatre" for Europe, due to the quantity and the quality of dramatic works and to the great number of scenic inventions. Studying this century with focus on France and Spain, in light of the interpenetration between Classicism, Mannerism and Baroque, me...
Saved in:
Other Authors: | |
---|---|
Format: | Electronic Book Chapter |
Language: | Italian |
Published: |
Florence
Firenze University Press
2018
|
Series: | Moderna/Comparata
27 |
Subjects: | |
Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
LEADER | 00000naaaa2200000uu 4500 | ||
---|---|---|---|
001 | oapen_2024_20_500_12657_55475 | ||
005 | 20220531 | ||
003 | oapen | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20220531s2018 xx |||||o ||| 0|ita d | ||
020 | |a 978-88-6453-743-6 | ||
020 | |a 9788864537436 | ||
020 | |a 9788864537429 | ||
020 | |a 9788864537443 | ||
020 | |a 9788892731165 | ||
040 | |a oapen |c oapen | ||
024 | 7 | |a 10.36253/978-88-6453-743-6 |c doi | |
041 | 0 | |a ita | |
042 | |a dc | ||
072 | 7 | |a DS |2 bicssc | |
100 | 1 | |a Innocenti, Barbara |4 edt | |
700 | 1 | |a Innocenti, Barbara |4 oth | |
245 | 1 | 0 | |a La fortuna del 'Secolo d'Oro' |b Per Marco Lombardi |
260 | |a Florence |b Firenze University Press |c 2018 | ||
300 | |a 1 electronic resource (160 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Moderna/Comparata |v 27 | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a The 17th century was the "century of theatre" for Europe, due to the quantity and the quality of dramatic works and to the great number of scenic inventions. Studying this century with focus on France and Spain, in light of the interpenetration between Classicism, Mannerism and Baroque, means discussing and deepening some key themes which are essential not only to the knowledge of a historical and literary era, but to modernity itself. Thanks to the participation of well-known specialists, who have read exemplary texts within the overall history of theatre and a rich iconography, this volume edited by Barbara Innocenti (who also transcribed an original document on the death of Louis XIV found in the archives of Pistoia) offers the required comparative attitude. The insights on great authors (mainly Molière, Tirso de Molina, the 'Tasso effect' in French literature...) favour comparisons and intersections which make it possible to outline a horizon of "European" culture, enriched by a creative dialogue with the contemporary on the translation and staging level. Therefore, the "Golden Century" goes beyond its own borders, crossing times, geographic areas and literatures. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
546 | |a Italian | ||
650 | 7 | |a Literature: history & criticism |2 bicssc | |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/84487b83-980b-440d-aba5-dcda1796e853/9788864537436.pdf |7 0 |z OAPEN Library: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/55475 |7 0 |z OAPEN Library: description of the publication |