Góngora y Tirso de Molina: lo culto y lo sorprendente
For the first time, this book parallels the works of Góngora and Tirso, analyzing their different involvement in the expressive modalities of the Baroque that both interpret and value in a hyperbolic way. With efficiency and originality, the renowned hispanist Laura Dolfi studies the style of Soleda...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | Spanish |
| Published: |
Florence
Firenze University Press
2021
|
| Series: | Moderna/Comparata
37 |
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_55700 | ||
| 005 | 20220531 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20220531s2021 xx |||||o ||| 0|spa d | ||
| 020 | |a 978-88-5518-332-1 | ||
| 020 | |a 9788855183321 | ||
| 020 | |a 9788855182294 | ||
| 020 | |a 9788855183338 | ||
| 020 | |a 9788855183345 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.36253/978-88-5518-332-1 |c doi | |
| 041 | 0 | |a spa | |
| 042 | |a dc | ||
| 072 | 7 | |a D |2 bicssc | |
| 072 | 7 | |a DS |2 bicssc | |
| 100 | 1 | |a Dolfi, Laura |4 auth | |
| 245 | 1 | 0 | |a Góngora y Tirso de Molina: lo culto y lo sorprendente |
| 260 | |a Florence |b Firenze University Press |c 2021 | ||
| 300 | |a 1 electronic resource (216 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Moderna/Comparata |v 37 | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a For the first time, this book parallels the works of Góngora and Tirso, analyzing their different involvement in the expressive modalities of the Baroque that both interpret and value in a hyperbolic way. With efficiency and originality, the renowned hispanist Laura Dolfi studies the style of Soledades, Panegírico, and Cigarrales, and the artifices of fiction that, in Las firmezas de Isabela and La fingida Arcadia, guide the desenlace, underlining the position of its author with respect to the literary precepts of the time (rejection or acceptance of new art and culteranismo). In addition, Góngora's role as a playwright is valued, and his plays are studied from less accustomed points of view: the dramatic characteristics, the importance of the rhythm that his verses scanned, the diffusion and the possible corruption of the text. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a Spanish | ||
| 650 | 7 | |a Literature & literary studies |2 bicssc | |
| 650 | 7 | |a Literature: history & criticism |2 bicssc | |
| 653 | |a Góngora | ||
| 653 | |a Tirso de Molina | ||
| 653 | |a poetry | ||
| 653 | |a prose | ||
| 653 | |a theater | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/6265a137-bea4-49a6-ba93-e71430ca7d2b/9788855183321.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/55700 |7 0 |z OAPEN Library: description of the publication |