Chapter The Presence of Absence. Longing and Nostalgia in Post-Soviet Art and Literature

This article explores the phenomenon of nostalgia for the Soviet era found in contemporary Russian society and manifested both in contemporary art, such as in the installations of Il'ja Kabakov, Sergej Volkov, and Jevgenij Fiks, and in modern literature, especially in the prose of Andrej Astvac...

Full description

Saved in:
Bibliographic Details
Main Author: Marchesini, Irina (auth)
Format: Electronic Book Chapter
Language:English
Published: Florence Firenze University Press 2015
Series:Biblioteca di Studi Slavistici 28
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_55824
005 20220601
003 oapen
006 m o d
007 cr|mn|---annan
008 20220601s2015 xx |||||o ||| 0|eng d
020 |a 978-88-6655-822-4.07 
020 |a 9788866558224 
040 |a oapen  |c oapen 
024 7 |a 10.36253/978-88-6655-822-4.07  |c doi 
041 0 |a eng 
042 |a dc 
100 1 |a Marchesini, Irina  |4 auth 
245 1 0 |a Chapter The Presence of Absence. Longing and Nostalgia in Post-Soviet Art and Literature 
260 |a Florence  |b Firenze University Press  |c 2015 
300 |a 1 electronic resource (17 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Biblioteca di Studi Slavistici  |v 28 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This article explores the phenomenon of nostalgia for the Soviet era found in contemporary Russian society and manifested both in contemporary art, such as in the installations of Il'ja Kabakov, Sergej Volkov, and Jevgenij Fiks, and in modern literature, especially in the prose of Andrej Astvacaturov. Such regret for a bygone past primarily mourns not the apparatus of the Soviet state, but the routine and the quality of familiar daily life. Insights from the fields of visual studies and trauma studies undergird this exploration of the relationship between a work of art's visual composition and its representation of toska, memory, and material culture in the Soviet era. By juxtaposing artwork with literary prose, we reveal the significant role had by 'reflective' toska-nostalgia (as defined by Svetlana Boym, 2001) in the formation of post-Soviet identity. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by/4.0/ 
546 |a English 
653 |a absence 
653 |a post-soviet 
653 |a Kabakov 
653 |a Fiks 
653 |a Astvatsaturov 
773 1 0 |7 nnaa 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/d6a869f2-403e-4f1d-875f-ab873a0cd087/15571.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/handle/20.500.12657/55824  |7 0  |z OAPEN Library: description of the publication