Chapter Les tableaux maudits, en France et en Russie
I. Repin's "Ivan the Terrible and his son", exhibited in 1885, in a very tense social and political context, sparked off fierce reactions. While the Itinerant painter Kramskoj is enthusiastic, the ge-neral-prosecutor of the Holy Synod, K. Pobedonoscev, finds the painting "simply...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
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| বিন্যাস: | বৈদ্যুতিক গ্রন্থের অধ্যায় |
| প্রকাশিত: |
Florence
Firenze University Press
2017
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| মালা: | Biblioteca di Studi Slavistici
36 |
| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| ট্যাগগুলো: |
ট্যাগ যুক্ত করুন
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
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| সংক্ষিপ্ত: | I. Repin's "Ivan the Terrible and his son", exhibited in 1885, in a very tense social and political context, sparked off fierce reactions. While the Itinerant painter Kramskoj is enthusiastic, the ge-neral-prosecutor of the Holy Synod, K. Pobedonoscev, finds the painting "simply repulsive". In France a similar scandal was caused by Gericault's "Raft of the Medusa" (1819). It represents the last instants of the martyrdom of the survivors of the Medusa's shipwreck (1816). Repin's painting, unlike that of Gericault, keeps on arousing a great hostility nowadays in conservative Russian circles. |
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| দৈহিক বর্ননা: | 1 electronic resource (16 p.) |
| আইসবিএন: | 978-88-6453-507-4.14 9788864535074 |
| প্রবেশাধিকার: | Open Access |