Chapter L'io nello sguardo dell'altra. L'arte del monologo di Claudio Magris
The current essay aims to highlighting a few aspects of the fine 'art of the monologue' practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), in particular, on his most compelling play, Lei dunque capirà (2006). On one hand,...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | Italian |
| Published: |
Florence
Firenze University Press
2021
|
| Series: | Biblioteca di Studi di Filologia Moderna
59 |
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_56419 | ||
| 005 | 20220601 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20220601s2021 xx |||||o ||| 0|ita d | ||
| 020 | |a 978-88-5518-338-3.20 | ||
| 020 | |a 9788855183383 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.36253/978-88-5518-338-3.20 |c doi | |
| 041 | 0 | |a ita | |
| 042 | |a dc | ||
| 100 | 1 | |a Biagini, Enza |4 auth | |
| 245 | 1 | 0 | |a Chapter L'io nello sguardo dell'altra. L'arte del monologo di Claudio Magris |
| 260 | |a Florence |b Firenze University Press |c 2021 | ||
| 300 | |a 1 electronic resource (42 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Biblioteca di Studi di Filologia Moderna |v 59 | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a The current essay aims to highlighting a few aspects of the fine 'art of the monologue' practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), in particular, on his most compelling play, Lei dunque capirà (2006). On one hand, the play highlights his masterly use of the stylistic/dialogic capacity of the monologue on stage and, on the other, it offers an unprecedented and extraordinary (parodic) re-actualization of the myth of Orpheus. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a Italian | ||
| 653 | |a Claudio Magris | ||
| 653 | |a Lei dunque capirà | ||
| 653 | |a Monologue | ||
| 653 | |a Myth | ||
| 653 | |a Parody | ||
| 773 | 1 | 0 | |7 nnaa |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/f81985c1-64d9-4727-9ad3-ede24a390960/19433.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/56419 |7 0 |z OAPEN Library: description of the publication |