Death Drive Through Gaia Paris

"Noble's work has always engaged, in its own way, with the Western Canadian tradition of poetry as intellectual experiment grounded on local experience.... Death Drive marks a counter-turn in the work of one of Southern Alberta's most distinctive writers." - Chris Jennings, Depar...

Full description

Saved in:
Bibliographic Details
Other Authors: Noble, Charles (Editor)
Format: Electronic Book Chapter
Language:English
Published: Calgary University of Calgary Press 2007
Series:Open Spaces
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_57447
005 20220718
003 oapen
006 m o d
007 cr|mn|---annan
008 20220718s2007 xx |||||o ||| 0|eng d
020 |a 9781552386644 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a DC  |2 bicssc 
100 1 |a Noble, Charles  |4 edt 
700 1 |a Noble, Charles  |4 oth 
245 1 0 |a Death Drive Through Gaia Paris 
260 |a Calgary  |b University of Calgary Press  |c 2007 
300 |a 1 electronic resource (80 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Open Spaces 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a "Noble's work has always engaged, in its own way, with the Western Canadian tradition of poetry as intellectual experiment grounded on local experience.... Death Drive marks a counter-turn in the work of one of Southern Alberta's most distinctive writers." - Chris Jennings, Department of English, University of Ottawa In this collection of poetry, Charles Noble further reins in an already tight form - haiku - only to let loose a "logopoeic" poetry. He presents poems of extraordinary rigour and riddles of wit that are solved by "lifetime" insights - a dialectical poetry that still observes a phenomenological toehold but transcends the limits of locality in recognizing the curled-up-but-everywhere world of media and markets - à la Fredric Jameson. And yet, these "haikus" go straight - to "the shock of the naïve." They turn to a middle ground, in Aristotle's sense of difficult target. They point to human acts, human reactions, and enact, themselves, a meta-linguistic wrestling, at one with the quarreling couple in the bar hanging on each other's words and insistent with "what do you mean by [a simple word]?" But they are also implicated in what he calls the death drive (not death wish), which arcs freely over a human life span - think architecture - and which, more radically, in the "pleated/ crossword," "make[s]/ good// a/ bit/ of/ bad/ infinity," no expenses, save for that toehold, earth, as he would have it. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Poetry  |2 bicssc 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/36a994ee-0d35-4e30-8ab9-57b2fbba3703/9781552386644.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/handle/20.500.12657/57447  |7 0  |z OAPEN Library: description of the publication