Software Takes Command

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cul...

Full description

Saved in:
Bibliographic Details
Main Author: Manovich, Lev (auth)
Format: Electronic Book Chapter
Language:English
Published: New York Bloomsbury Academic 2013
Series:International Texts in Critical Media Aesthetics
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_58738
005 20221014
003 oapen
006 m o d
007 cr|mn|---annan
008 20221014s2013 xx |||||o ||| 0|eng d
020 |a 9781472544988 
020 |a 9781623562618 
020 |a 9781623566722 
040 |a oapen  |c oapen 
024 7 |a 10.5040/9781472544988  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a JFD  |2 bicssc 
072 7 |a TB  |2 bicssc 
100 1 |a Manovich, Lev  |4 auth 
245 1 0 |a Software Takes Command 
260 |a New York  |b Bloomsbury Academic  |c 2013 
300 |a 1 electronic resource (376 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a International Texts in Critical Media Aesthetics 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cultural artifacts. It has become our interface to the world, to others, to our memory and our imagination - a universal language through which the world speaks, and a universal engine on which the world runs. What electricity and combustion engine were to the early 20th century, software is to the early 21st century. Offering the the first theoretical and historical account of software for media authoring and its effects on the practice and the very concept of 'media,' the author of The Language of New Media (2001) develops his own theory for this rapidly-growing, always-changing field. What was the thinking and motivations of people who in the 1960 and 1970s created concepts and practical techniques that underlie contemporary media software such as Photoshop, Illustrator, Maya, Final Cut and After Effects? How do their interfaces and tools shape the visual aesthetics of contemporary media and design? What happens to the idea of a 'medium' after previously media-specific tools have been simulated and extended in software? Is it still meaningful to talk about different mediums at all? Lev Manovich answers these questions and supports his theoretical arguments by detailed analysis of key media applications such as Photoshop and After Effects, popular web services such as Google Earth, and the projects in motion graphics, interactive environments, graphic design and architecture. Software Takes Command is a must for all practicing designers and media artists and scholars concerned with contemporary media. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc/3.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc/3.0/ 
546 |a English 
650 7 |a Media studies  |2 bicssc 
650 7 |a Technology: general issues  |2 bicssc 
653 |a Media studies 
653 |a Technology: general issues 
653 |a Philosophy: aesthetics 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/724fa136-ccc6-46db-aee1-6078d3f2f667/9781623566722.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/handle/20.500.12657/58738  |7 0  |z OAPEN Library: description of the publication