Chapter "Naked Problems". Origin and Reach of the Formalist Interpretations
The first solid interpretation of the damsels to make a mark was delivered from formalist criteria. Thus, as far as was possible the content of the work was disregarded, studying only in great detail all its pictorial or purely plastic values that proclaimed the great avant-guard revolution: the sub...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Florence
Firenze University Press
2022
|
| Series: | Studi e saggi
242 |
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_60426 | ||
| 005 | 20221222 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20221222s2022 xx |||||o ||| 0|eng d | ||
| 020 | |a 978-88-5518-656-8.04 | ||
| 020 | |a 9788855186568 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.36253/978-88-5518-656-8.04 |c doi | |
| 041 | 0 | |a eng | |
| 042 | |a dc | ||
| 072 | 7 | |a A |2 bicssc | |
| 100 | 1 | |a Méndez Baiges, Maite |4 auth | |
| 245 | 1 | 0 | |a Chapter "Naked Problems". Origin and Reach of the Formalist Interpretations |
| 260 | |a Florence |b Firenze University Press |c 2022 | ||
| 300 | |a 1 electronic resource (8 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studi e saggi |v 242 | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a The first solid interpretation of the damsels to make a mark was delivered from formalist criteria. Thus, as far as was possible the content of the work was disregarded, studying only in great detail all its pictorial or purely plastic values that proclaimed the great avant-guard revolution: the substitution of the Renaissance visual order with the modern visual order. From this point of view the Demoiselles appear as the seed of one of the most relevant avant-guard movements -Cubism. This chapter deals with the origin and how the formalist version shaped the painting -and Modern Art itself (from the 1920s until approximately the 1960s). | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a The arts |2 bicssc | |
| 653 | |a Modernism | ||
| 653 | |a Demoislles d'Avignon | ||
| 653 | |a Alfred H. Barr | ||
| 653 | |a MoMA | ||
| 653 | |a Daniel-Henry Kahnweiler | ||
| 773 | 1 | 0 | |7 nnaa |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/90a26ea7-9aa7-4918-82d5-12ecc2660fce/10_36253_978-88-5518-656-8_04.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/60426 |7 0 |z OAPEN Library: description of the publication |