The Expense of Spirit Love and Sexuality in English Renaissance Drama
A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial per...
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Format: | Electronic Book Chapter |
Language: | English |
Published: |
Ithaca
Cornell University Press
1991
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Online Access: | OAPEN Library: download the publication OAPEN Library: download the publication OAPEN Library: description of the publication |
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100 | 1 | |a Rose, Mary Beth |4 auth | |
245 | 1 | 0 | |a The Expense of Spirit |b Love and Sexuality in English Renaissance Drama |
260 | |a Ithaca |b Cornell University Press |c 1991 | ||
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520 | |a A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contemporary moral tracts and religious writings on women, love, and marriage, Mary Beth Rose argues that such literature not only interpreted sexual sensibilities but also contributed to creating and transforming them. ; A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contemporary moral tracts and religious writings on women, love, and marriage, Mary Beth Rose argues that such literature not only interpreted sexual sensibilities but also contributed to creating and transforming them. | ||
536 | |a National Endowment for the Humanities | ||
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