Here for the Hearing Analyzing the Music in Musical Theater
This book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater,...
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Other Authors: | , |
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Format: | Electronic Book Chapter |
Language: | English |
Published: |
University of Michigan Press
2023
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Series: | Tracking Pop
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Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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700 | 1 | |a Decker, Gregory John |4 edt | |
700 | 1 | |a Buchler, Michael |4 oth | |
700 | 1 | |a Decker, Gregory John |4 oth | |
245 | 1 | 0 | |a Here for the Hearing |b Analyzing the Music in Musical Theater |
260 | |b University of Michigan Press |c 2023 | ||
300 | |a 1 electronic resource (311 p.) | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a Tracking Pop | |
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a This book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater, this collection provides new understanding of how musicals are put together, how composers and lyricists structure words and music to complement one another, and how music helps us understand the human relationships and historical and social contexts. Using a wide range of musical examples, representing the history of musical theater from the 1920s to the present day, the book explores how music interacts with dramatic elements within individual shows and other pieces within and outside of the genre. These essays invite readers to consider issues that are fundamental both to our understanding of musical theater and to the multiple ways we engage with music. | ||
536 | |a Florida State University | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Music |2 bicssc | |
650 | 7 | |a Light orchestral & big band music |2 bicssc | |
650 | 7 | |a Theory of music & musicology |2 bicssc | |
650 | 7 | |a Theatre studies |2 bicssc | |
653 | |a Musical theater, Musical theatre, Broadway, American music, show tunes, Tin Pan Alley, analysis, music theory, form, phrase structure, rhythm, harmony, semiotics, text and music, gender, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein II, Leonard Bernstein, Frank Loesser, Jason Robert Brown, Jeanine Tesori | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/e4f0d61c-a9ba-4203-a49c-c2b81e839452/9780472903535.pdf |7 0 |z OAPEN Library: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/62518 |7 0 |z OAPEN Library: description of the publication |