Chapter Of the spaces between: prepositional events throughout the Festival de Marseille

This chapter considers the Festival de Marseille-danse et arts multiple 2017 as a successful apparatus of transition from positions of non-place to place in one of Europe's most diverse cities. Through its temporary installation, the festival crossed spatial, aesthetic, and thematic divisions o...

पूर्ण विवरण

में बचाया:
ग्रंथसूची विवरण
मुख्य लेखक: Kimmel, Anna Jayne (auth)
स्वरूप: इलेक्ट्रोनिक पुस्तक अध्याय
भाषा:अंग्रेज़ी
प्रकाशित: Florence Firenze University Press 2022
श्रृंखला:Ricerche. Architettura, Pianificazione, Paesaggio, Design 21
विषय:
ऑनलाइन पहुंच:OAPEN Library: download the publication
OAPEN Library: description of the publication
टैग: टैग जोड़ें
कोई टैग नहीं, इस रिकॉर्ड को टैग करने वाले पहले व्यक्ति बनें!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_62647
005 20230501
003 oapen
006 m o d
007 cr|mn|---annan
008 20230501s2022 xx |||||o ||| 0|eng d
020 |a 978-88-5518-661-2.10 
020 |a 9788855186612 
040 |a oapen  |c oapen 
024 7 |a 10.36253/978-88-5518-661-2.10  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a J  |2 bicssc 
100 1 |a Kimmel, Anna Jayne  |4 auth 
245 1 0 |a Chapter Of the spaces between: prepositional events throughout the Festival de Marseille 
260 |a Florence  |b Firenze University Press  |c 2022 
300 |a 1 electronic resource (22 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Ricerche. Architettura, Pianificazione, Paesaggio, Design  |v 21 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This chapter considers the Festival de Marseille-danse et arts multiple 2017 as a successful apparatus of transition from positions of non-place to place in one of Europe's most diverse cities. Through its temporary installation, the festival crossed spatial, aesthetic, and thematic divisions of the center and periphery, constructing bridges of movement between these invisible borders. In doing so, this chapter troubles the traditional affirmation that the value of performance is most prominently interpreted during its enactment. Instead, it leverages the spatial turn of French theory to emphasize that the festival's significance extends to the process of coming-to-stage, and highlights participant interactions with the city as facilitated by the festival's infrastructure. In re-framing the boundaries of the festival's intended performance scene from the aestheticized proscenium to the larger social context of Marseille, a voyeuristic and objectifying gaze is removed from the staged bodies and redirected to a new embodied praxis of inclusion and exclusion, rehearsed for, and by, the performer whose ephemeral offering is too often pushed to the periphery or essentialized at the center but never allowed full placement. To move away from accentuating the fixed nouns and verbs of place in a recapitulation of the actors and how they danced, this chapter instead looks toward the mechanisms that scaffolded the relationship between the two-the grammar of the event-which both exceeded and preceded its actual content. What emerges is an attention toward prepositional events, the mechanics of societies that facilitate and articulate such relations. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Society & social sciences  |2 bicssc 
653 |a festival 
653 |a citizenship 
653 |a performance 
653 |a space 
653 |a France 
773 1 0 |7 nnaa 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/6e614556-089d-4686-9af7-a8fbc0a6f1a8/chapter-36810.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/handle/20.500.12657/62647  |7 0  |z OAPEN Library: description of the publication