Bearbmagovva

Negative, Nonsensical, and Non-Conformist The Films of Suzuki Seijun

Čájet eará veršuvnnaid (1)

In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan's most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation...

Olles dieđut

Furkejuvvon:
Bibliográfalaš dieđut
Váldodahkki: Yacavone, Peter A. (auth)
Materiálatiipa: Elektrovnnalaš Girjji oassi
Giella:eaŋgalasgiella
Almmustuhtton: University of Michigan Press 2023
Ráidu:Michigan Monograph Series in Japanese Studies 99
Fáttát:
Society & culture: general
Media studies
Suzuki Seijun, Nikkatsu, yakuza, 1960s cinema, film theory, diegesis, diegetic, classical cinema, studio system, exploitation, Japanese film, gangster movies, popular genre, aesthetics, global cinema, Japanese cinema, post-war cinema, negation, auterism, auteur, film director, New Left, New Wave, cult film, genre film, prostitution, Japanese New Wave, nuberu bagu, hard-boiled, film noir, Classical Hollywood cinema, film and philosophy, film and philsoophy, avant-garde cinema
Liŋkkat:OAPEN Library: download the publication
OAPEN Library: description of the publication
Fáddágilkorat: Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!

Interneahtta

OAPEN Library: download the publication
OAPEN Library: description of the publication

3rd Floor Main Library

oažžasuvvan: 3rd Floor Main Library
Hildobáiki: A1234.567
Njađus 1 Oažžumis

Geahča maid