Lope de Vega como escritor cortesano La Filomena (1621) y "La Circe" (1624) a estudio
Lope de Vega's lyrical career has been studied through different authorial masks that the poet adopts according to times and interests. Showing off the nickname by which he was known in life, the Phoenix reinvents himself and succeeds himself: poet of ballads, poet of Petrarchan songbooks, sacr...
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| Main Author: | |
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| Format: | Electronic Book Chapter |
| Language: | Spanish |
| Published: |
Iberoamericana Vervuert
2023
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| Series: | Clásicos Hispánicos
34 |
| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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| Summary: | Lope de Vega's lyrical career has been studied through different authorial masks that the poet adopts according to times and interests. Showing off the nickname by which he was known in life, the Phoenix reinvents himself and succeeds himself: poet of ballads, poet of Petrarchan songbooks, sacred, courtier, and even burlesque. Of all of them, the courtly or cultured Lope has not received the attention it deserves, since not even the masterpieces of that period have received updated critical editions. We are speaking, then, of a poet who, after the accession to the throne of Felipe IV, puts a pike in the publishing market with two works of difficult generic taxonomy: La Filomena (1621) and La Circe (1624). With them, Lope delves into literary subgenres little traveled by him, such as the Cervantine-style short novel. But what motivates such an authorial turn in the twenties? What is Lope pursuing with these two peculiar volumes and what strategies does he use to build this renewed self? This study addresses all these questions, and others of greater depth, whose hypotheses are ultimately intended to outline a clearer profile of the author in his full maturity |
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| Physical Description: | 1 electronic resource (306 p.) |
| ISBN: | 9783968694726 9788491923695 9783968694719 |
| Access: | Open Access |