Chapter 7 Resisting Cultures of Inequality through Feminist Counter-Visuality Practices in Contemporary Spanish Fiction and Non- Fiction Cinema
This chapter aims to analyse feminist resistances to persuasion in visual discourse and to dissect several case studies in fiction and non-fiction Spanish films in order to highlight what we consider to be practices of feminist counter-visuality. Our theoretical genealogy starts with Adrienne Rich...
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Taylor & Francis
2022
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Online toegang: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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100 | 1 | |a Sánchez Espinosa, Adelina |4 auth | |
700 | 1 | |a Calderón Sandoval, Orianna |4 auth | |
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520 | |a This chapter aims to analyse feminist resistances to persuasion in visual discourse and to dissect several case studies in fiction and non-fiction Spanish films in order to highlight what we consider to be practices of feminist counter-visuality. Our theoretical genealogy starts with Adrienne Rich's and Judith Fetterley's claims for re-viewing and resisting readership. We then move from textual transgressions to the urge for visual transgressions expressed by feminist film theorists and practitioners. After discussing a classical example of persuasive visual discourse, Alfred Hitchcock's Psycho, and two instances of transgressive gazing by well-known feminist filmmakers Sally Potter and Jane Campion, we bring our argument to recent Spanish fiction and non-fiction cinema and close-read scenes from seven case studies as a basis to exploring how the alternative film discourses represented within them can operate as technologies of social response-ability and accountability in face of the challenges present in the current feminist agenda in Spain. | ||
536 | |a Universidad de Granada | ||
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653 | |a Anthropology, social anthropology, culture, equality | ||
773 | 1 | 0 | |t Investigating Cultures of Equality |7 nnaa |o OAPEN Library UUID: 9575920e-ee27-4337-9050-19d017f58d6f |
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