Chapter 1 A Semiotic Theory of Multimodality for the Divine Comedy
In this chapter the author lays out a theoretical groundwork for a semiotic theory of multimodality in the Divine Comedy. The analysis is not comprehensive of all modes, but limited to key-modal forms that Dante's text authorizes in order to understand the formation of codes based on different...
Na minha lista:
Autor principal: | |
---|---|
Formato: | Recurso Eletrônico Capítulo de Livro |
Idioma: | inglês |
Publicado em: |
Taylor & Francis
2024
|
Assuntos: | |
Acesso em linha: | OAPEN Library: download the publication OAPEN Library: description of the publication |
Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
Resumo: | In this chapter the author lays out a theoretical groundwork for a semiotic theory of multimodality in the Divine Comedy. The analysis is not comprehensive of all modes, but limited to key-modal forms that Dante's text authorizes in order to understand the formation of codes based on different forms of articulation and how different modes of articulation may interact with one another in a multimodal arrangement to achieve strong, functional signification in general and, where necessary, working toward the formation of new ontologies intimating human transcendence in terms of signification. |
---|---|
Descrição Física: | 1 electronic resource (65 p.) |
ISBN: | 9781003397298-1 9781032497334 9781032501925 |
Acesso: | Open Access |