Chapter De huid van de feministische dekoloniale wetenschapper

In this chapter Rosemarie Buikema elaborates on how decolonial feminist artists and scholars are engaged in knowledge production by means of deploying a poetics of recycling as a way to re-orientate themselves towards the relation between the subject and the object of knowledge, matter and form, sig...

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-д хадгалсан:
Номзүйн дэлгэрэнгүй
Үндсэн зохиолч: Buikema, Rosemarie (auth)
Формат: Цахим Номын бүлэг
Хэвлэсэн: Amsterdam Amsterdam University Press 2023
Нөхцлүүд:
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OAPEN Library: description of the publication
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Тодорхойлолт
Тойм:In this chapter Rosemarie Buikema elaborates on how decolonial feminist artists and scholars are engaged in knowledge production by means of deploying a poetics of recycling as a way to re-orientate themselves towards the relation between the subject and the object of knowledge, matter and form, signifier and signifed. Buikema analyses the work of El Anatsui and Nandipha Mntambo to illustrate the power of this poetics of recycling and gives the example of an exhibition in which the Museum of Equality and Difference (MOED) re-curated the cultural heritage of abolitionism, giving centre stage to the black, previously enslaved woman Sojourner Truth, rather than the white Dutchman Nicolaas Beets. She concludes that the collective fijield of decolonial feminism envelops engaged scholars and artists like a sensitive skin that continuously responds to the context in which it fnds itself.
Биет тодорхойлолт:1 electronic resource (22 p.)
ISBN:9789048560110_Buikema
9789048560110
9789048560127
Хандалт:Open Access