Migration and Identity through Creative Writing StOries: Strangers to Ourselves
This open access book brings together storytelling and self-narrative, creative writing and narrative enquiry to explore a variety of topics in migration from an experiential lens. The volume is hybrid and multi-genre as it contains both scholarly chapters grounded in academic perspectives, as well...
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| Other Authors: | , |
|---|---|
| Format: | Electronic Book Chapter |
| Language: | English |
| Published: |
Cham
Springer Nature
2024
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| Series: | IMISCOE Research Series
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| Subjects: | |
| Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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| 700 | 1 | |a Triandafyllidou, Anna |4 oth | |
| 245 | 1 | 0 | |a Migration and Identity through Creative Writing |b StOries: Strangers to Ourselves |
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| 300 | |a 1 electronic resource (333 p.) | ||
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| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a This open access book brings together storytelling and self-narrative, creative writing and narrative enquiry to explore a variety of topics in migration from an experiential lens. The volume is hybrid and multi-genre as it contains both scholarly chapters grounded in academic perspectives, as well as personal essays and creative non-fiction. In addition to critical reflections on key migration topics and concepts - like, identity and diversity, integration and agency, transnationalism and return - the scholarly chapters also propose a particular methodology for 'workshopping' migration narratives, and writing about (personal) lived experiences through iterations of scientific reflection, narrative enquiry, and creative imagination. The book explores the potential of a new conceptual paradigm and methodological process to learn more, and also `differently,' about the migration experience. Finally, this volume asks a bigger question too - how do we define the boundaries of research; is it possible to entirely separate the spatial, temporal and methodological parameters in which projects are developed and pursued; and how can the specifics of these multiple contexts contribute to shaping the knowledge being produced? | ||
| 540 | |a Creative Commons |f by/4.0/ |2 cc |4 http://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a Migration, immigration & emigration |2 bicssc | |
| 650 | 7 | |a Public administration |2 bicssc | |
| 653 | |a Critical and creative writing in migration | ||
| 653 | |a Hybrid and multi-genre migration collection from Canada | ||
| 653 | |a Alternative methodologies in migration studies | ||
| 653 | |a Storytelling, narrative enquiry, lived experience | ||
| 653 | |a New directions in migration research and practice | ||
| 653 | |a Creative and autoethnographic narratives in migration | ||
| 653 | |a Workshopping as methodology in migration studies | ||
| 653 | |a Negotiating nation, identity and diversity | ||
| 653 | |a Teaching training migration project at CERC, TMU | ||
| 653 | |a Producing knowledge `differently' in migration | ||
| 653 | |a Experiential and creative migration writing | ||
| 653 | |a Critical pedagogy framework for writing migration | ||
| 653 | |a COVID-19 times and personal migration stories | ||
| 653 | |a Centering methodology, connecting the dots through story | ||
| 653 | |a Exploring new approaches for `knowing' in migration | ||
| 653 | |a A story-ing approach in migration | ||
| 653 | |a Self-representation and auto-narratives in migration | ||
| 653 | |a Qualitative research and truth-telling in migration | ||
| 653 | |a Using indigenous research methods to decolonise migration | ||
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| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/76751 |7 0 |z OAPEN Library: description of the publication |