Feeling Strangely in Mid-Century Spanish and Latin American Women's Fiction Gender and the Scientific Imaginary
The early twentieth century was awash in revolutionary scientific discourse, and its uptake in the public imaginary through popular scientific writings touched every area of human experience, from politics and governance to social mores and culture. Feeling Strangely argues that these shifting scien...
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Format: | Electronic Book Chapter |
Language: | English |
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Liverpool
Liverpool University Press
2024
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Online Access: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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100 | 1 | |a Rankin, Tess C. |4 auth | |
245 | 1 | 0 | |a Feeling Strangely in Mid-Century Spanish and Latin American Women's Fiction |b Gender and the Scientific Imaginary |
260 | |a Liverpool |b Liverpool University Press |c 2024 | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
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520 | |a The early twentieth century was awash in revolutionary scientific discourse, and its uptake in the public imaginary through popular scientific writings touched every area of human experience, from politics and governance to social mores and culture. Feeling Strangely argues that these shifting scientific understandings and their integration into Hispanic and Lusophone society reshaped the experience of gender. The book analyzes gender as a felt experience and explores how that experience is shaped by popular scientific discourse by examining the "strange" femininity of young protagonists in four novels written by women in Spanish and Portuguese: Rosa Chacel's Memorias de Leticia Valle (published in Argentina in 1945); Norah Lange's Personas en la sala (Argentina, 1950); Carmen Laforet's Nada (Spain, 1945); and Clarice Lispector's Perto do coração selvagem (Brazil, 1943). It pairs each novel with a broad scientific theme selected from those that captured the contemporary popular imagination to argue that the young female protagonists in these novels all put forth visions of young womanhood as an experience of strangeness. Building on Carmen Martín Gaite's term chicas raras, Rankin proposes this strangeness as constitutive of a gendered experience inextricable from affective and material engagements with the world. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
650 | 7 | |a Literary studies: fiction, novelists & prose writers |2 bicssc | |
650 | 7 | |a Gender studies, gender groups |2 bicssc | |
653 | |a gender studies; science studies; Carmen Martín Gaite; Carmen Laforet; Clarice Lispector | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/eaf04073-fa5d-430d-82d9-11de52147ac4/Rankin_9781837645015_web.pdf |7 0 |z OAPEN Library: download the publication |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/85775 |7 0 |z OAPEN Library: description of the publication |