De Nederlandse zeeschilderkunst in de negentiende eeuw

Marine painting, paintings of ships and the sea, is a four hundred year old traditional Dutch art discipline. In the nineteenth century the genre had a special artistic prestige and status. This study explores the background, training, studio practice, stylistic development and subject matters of th...

Full description

Saved in:
Bibliographic Details
Main Author: Bosman, Cécile (auth)
Format: Electronic Book Chapter
Published: Amsterdam Amsterdam University Press 2024
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_86262
005 20231220
003 oapen
006 m o d
007 cr|mn|---annan
008 20231220s2024 xx |||||o ||| 0|nld d
020 |a 9789048561957 
040 |a oapen  |c oapen 
041 0 |a nld 
042 |a dc 
072 7 |a 1DDN  |2 bicssc 
072 7 |a 2ACD  |2 bicssc 
072 7 |a 3JH  |2 bicssc 
072 7 |a ACV  |2 bicssc 
072 7 |a HBTB  |2 bicssc 
100 1 |a Bosman, Cécile  |4 auth 
245 1 0 |a De Nederlandse zeeschilderkunst in de negentiende eeuw 
260 |a Amsterdam  |b Amsterdam University Press  |c 2024 
300 |a 1 electronic resource (290 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Marine painting, paintings of ships and the sea, is a four hundred year old traditional Dutch art discipline. In the nineteenth century the genre had a special artistic prestige and status. This study explores the background, training, studio practice, stylistic development and subject matters of the Dutch nineteenth-century marine painter. A Reference List of Marine Painters, which is a new overview of the true specialists in the genre in this period, is added. The key question is how marine painting was looked at by the marine painters themselves, their fellow painters at the artists associations, in art theory and in art criticism. It turns out that within Dutch art circles throughout the nineteenth century, marine painting was perceived as a bearer of national pride. By placing the genre in a broader cultural-historical context it reveals how marine painting, together with the glorification of maritime history, was embedded in nationalist ideology. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a Dutch 
650 7 |a Netherlands  |2 bicssc 
650 7 |a Dutch  |2 bicssc 
650 7 |a c 1800 to c 1900  |2 bicssc 
650 7 |a History of art & design styles: c 1800 to c 1900  |2 bicssc 
650 7 |a Social & cultural history  |2 bicssc 
653 |a nineteenth century, the Netherlands, marine painting, art history, cultural nationalism 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/b15c3ab0-f1c1-424b-9856-4c9d41520d80/978-90-4856-196-4.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/handle/20.500.12657/86262  |7 0  |z OAPEN Library: description of the publication