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201
Chapter The Historical Transition of Human Body in Architecture
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202
Chapter Drawing beyond Language and Images: Steps to Olfactory Representations
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203
Chapter La carpenteria del legno. Alcune riflessioni sul rapporto tra modello e disegno
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204
Chapter Disegno in transizione e transizione nel disegno. Passato e futuro degli esercizi di Parquet Deformations
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205
Chapter Las ciudades y el tiempo: Transiciones en torno a la Catedral de Burgos
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206
Chapter Transitabile/in-transitabile. Il Canale della Manica tra storia e rappresentazione
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207
Chapter Archaeology and Natural Sciences. Giovanni Antonio Antolini's Unpublished Texts and Drawings
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208
Chapter Art du Trait. Considerations on Double Orthogonal Projection in Medieval Stereotomy
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209
Chapter "Mi parve pinta de la nostra effige". Alcune note critiche sulla creatività artificiale
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210
Chapter Spazio a due dimensioni. Grafica assonometrica e ambiguità visiva nell'opera di El Lissitzky
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211
Chapter Origen de la cartografía científica de los puertos de la Sierra de Guadarrama entre los Sitios Reales
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212
Chapter Transizioni espressive nell'archivio dei disegni di architettura della scuola romana
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213
Chapter Il disegno della transizione. Proposta di una tassonomia della rappresentazione del movimento dell'architettura
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214
Chapter Transizioni virtuali: studio su un edificio non realizzato di Alberto Legnani a Castelfranco Emilia
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215
Chapter La rappresentazione info-grafica a supporto dei 'programmi di sviluppo' sul territorio per le agenzie umanitarie
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216
Chapter La finca Sansalvador de Jujol, un proyecto en continua transformación
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217
Chapter La Libreria Nuova del complesso conventuale di San Giuseppe in Brescia
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218
Chapter Euristica dell'errore. La 'Stonehenge ricostruita' di Inigo Jones
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219
Chapter Del óleo al gouache. Los dibujos de Sorolla en Nueva York
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220
Chapter I sistemi impiantistici nel progetto. Un excursus storico dal disegno concettuale al modello digitale
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