The Management of Opera (1861-1918) Theatres of the Eastern Adriatic by Scuderi, Cristina

Subjects: “…Opernproduktionssystem - Impresari - Sänger - Ostadriatische Theater - 18.-19. Jahrhundert…”
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Religion and Theatrical Drama

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South End Shout Boston's Forgotten Music Scene in the Jazz Age by House, Roger

Subjects: “…Jazz Band, singer, Orchestra, Duke Ellington, record producer, piano, pianist, dancer, Cotton Club, trumpet, Lower Roxbury, Black History Project, Wally's Paradise, Hi-Hat, Frederick Douglass Square, Sabby Lewis, Shribman, James Reese Europe, James Vaughn, songwriter, Victorian Concert, Clarence Cameron White, violinist, Copley Plaza Hotel, Herbert Wright, drummer, Roy Haynes, Johnny Hodges, saxophone, Harry Carney, Charlie Holmes, League of Women, Community Service, Women's Service Center, Boston Colored Musicians Union, Local 535, Madison Park, Boston Tigers Baseball Club, Bobby Sawyer, Hotel Westminster Jazz, Colored Knights of Pythias Temple, Ruggles Hall, Preston Sandiford Society, Leroy Curtis, Walter Johnson, Harry Hicks, Harmony Shop, Jenkins Orphanage Band, Richard Earle Pioneer Club, American Federation of Musicians Local 9, Mechanics Hall, Benny Waters, George Broome, Casper Gordon Studios, Mal Hallett, Tremont Theater, Gaiety Theater, Charles Waldron, Casino, Symphony Hall, Roland Hayes, Max Kaminsky, Jean Goldkette, Aram "Al Vega" Vagramian, Nuncio "Toots" Mondello, Armando "Chic" Corea, Ruby Foo's Den, Pickwick Club, Stanley Brown, Shepard Colonial Tea Room, The Egyptian Room, Leo Reisman, Paul Whiteman, Metropolitan Theatre, Edward "Sonny" Stitt, Fat Man Robinson, Silas "Shag" and Balcom "Bal" Taylor and Pioneer Club, Mabel Robinson Simms, Professional and Business Men's Club, Mae Arnette, Frankie Newton, Savoy Cafe, Nat Hentoff, George Wein and Storyville, Malcolm X…”
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South End Shout Boston's Forgotten Music Scene in the Jazz Age by House, Roger

Subjects: “…Jazz Band, singer, Orchestra, Duke Ellington, record producer, piano, pianist, dancer, Cotton Club, trumpet, Lower Roxbury, Black History Project, Wally's Paradise, Hi-Hat, Frederick Douglass Square, Sabby Lewis, Shribman, James Reese Europe, James Vaughn, songwriter, Victorian Concert, Clarence Cameron White, violinist, Copley Plaza Hotel, Herbert Wright, drummer, Roy Haynes, Johnny Hodges, saxophone, Harry Carney, Charlie Holmes, League of Women, Community Service, Women's Service Center, Boston Colored Musicians Union, Local 535, Madison Park, Boston Tigers Baseball Club, Bobby Sawyer, Hotel Westminster Jazz, Colored Knights of Pythias Temple, Ruggles Hall, Preston Sandiford Society, Leroy Curtis, Walter Johnson, Harry Hicks, Harmony Shop, Jenkins Orphanage Band, Richard Earle Pioneer Club, American Federation of Musicians Local 9, Mechanics Hall, Benny Waters, George Broome, Casper Gordon Studios, Mal Hallett, Tremont Theater, Gaiety Theater, Charles Waldron, Casino, Symphony Hall, Roland Hayes, Max Kaminsky, Jean Goldkette, Aram "Al Vega" Vagramian, Nuncio "Toots" Mondello, Armando "Chic" Corea, Ruby Foo's Den, Pickwick Club, Stanley Brown, Shepard Colonial Tea Room, The Egyptian Room, Leo Reisman, Paul Whiteman, Metropolitan Theatre, Edward "Sonny" Stitt, Fat Man Robinson, Silas "Shag" and Balcom "Bal" Taylor and Pioneer Club, Mabel Robinson Simms, Professional and Business Men's Club, Mae Arnette, Frankie Newton, Savoy Cafe, Nat Hentoff, George Wein and Storyville, Malcolm X…”
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Historical Acoustics: Relationships between People and Sound over Time by Aletta, Francesco

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Nordic and European Modernisms

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Show, don't tell Education and historical representations on stage and screen in Germany and the USA

Subjects: “…Historical educational research, History, teaching history, Historical pedagogy, presentation of history, contemporary history, educational history, Awareness of history, Historical thinking, historical image, culture of history, media education, Media history, course of study, didactics, theatre, Film, Informal learning, influencing, Entertainment film, entertainment literature, Drama, representation, Media , International relations, Image of America, Picture of Germany, view , change of attitude, Fascism, Criticism of ideology, Historical novel, Literature, acting, theatrical play, Expressionism, Theatre pedagogy, Jew, Documentation, authenticity, collective memory, Holocaust, Persecution of Jews, Remembrance, staging, role playing, History lessons, Life-event research, Civil war, the learning process, teaching method, Historical learning, Film analysis, the film industry, globalisation, Contemporary literature, Historiographies, Western, Cinema, Critics, Film history, War film, World War II, National Socialism, film production, Lion Feuchtwanger, Peter Handke, Interview , 20th century, Germany, USA, Germany <until 1945>, Historische Bildungsforschung, Geschichte <Histor>, Geschichtsvermittlung, Historische Pädagogik, Geschichtsdarstellung, Zeitgeschichte, Bildungsgeschichte, Geschichtsbewusstsein, Historisches Denken, Geschichtsbild, Geschichtskultur, Medienpädagogik, Mediengeschichte, Studiengang, Didaktik, Theater, Film, Informelles Lernen, Beeinflussung, Unterhaltungsfilm, Unterhaltungsliteratur, Drama, Darstellung, Medien, Internationale Beziehungen, Amerikabild, Deutschlandbild, Einstellung <Psy>, Einstellungsänderung, Faschismus, Ideologiekritik, Historischer Roman, Literatur, Schauspiel, Theaterstück, Expressionismus, Theaterpädagogik, Jude, Dokumentation, Authentizität, Kollektives Gedächtnis, Holocaust, Judenverfolgung, Erinnerung, Inszenierung, Rollenspiel, Geschichtsunterricht, Life-Event-Forschung, Bürgerkrieg, Lernprozess, Lehrmethode, Historisches Lernen, Filmanalyse, Filmwirtschaft, Globalisierung, Gegenwartsliteratur, Historiografie, Western, Kino, Kritiker, Filmgeschichte, Kriegsfilm, Weltkrieg II, Nationalsozialismus, Filmproduktion, Feuchtwanger, Lion, Handke, Peter, Interview, 20. …”
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Show, don't tell Education and historical representations on stage and screen in Germany and the USA

Subjects: “…Historical educational research, History, teaching history, Historical pedagogy, presentation of history, contemporary history, educational history, Awareness of history, Historical thinking, historical image, culture of history, media education, Media history, course of study, didactics, theatre, Film, Informal learning, influencing, Entertainment film, entertainment literature, Drama, representation, Media , International relations, Image of America, Picture of Germany, view , change of attitude, Fascism, Criticism of ideology, Historical novel, Literature, acting, theatrical play, Expressionism, Theatre pedagogy, Jew, Documentation, authenticity, collective memory, Holocaust, Persecution of Jews, Remembrance, staging, role playing, History lessons, Life-event research, Civil war, the learning process, teaching method, Historical learning, Film analysis, the film industry, globalisation, Contemporary literature, Historiographies, Western, Cinema, Critics, Film history, War film, World War II, National Socialism, film production, Lion Feuchtwanger, Peter Handke, Interview , 20th century, Germany, USA, Germany <until 1945>, Historische Bildungsforschung, Geschichte <Histor>, Geschichtsvermittlung, Historische Pädagogik, Geschichtsdarstellung, Zeitgeschichte, Bildungsgeschichte, Geschichtsbewusstsein, Historisches Denken, Geschichtsbild, Geschichtskultur, Medienpädagogik, Mediengeschichte, Studiengang, Didaktik, Theater, Film, Informelles Lernen, Beeinflussung, Unterhaltungsfilm, Unterhaltungsliteratur, Drama, Darstellung, Medien, Internationale Beziehungen, Amerikabild, Deutschlandbild, Einstellung <Psy>, Einstellungsänderung, Faschismus, Ideologiekritik, Historischer Roman, Literatur, Schauspiel, Theaterstück, Expressionismus, Theaterpädagogik, Jude, Dokumentation, Authentizität, Kollektives Gedächtnis, Holocaust, Judenverfolgung, Erinnerung, Inszenierung, Rollenspiel, Geschichtsunterricht, Life-Event-Forschung, Bürgerkrieg, Lernprozess, Lehrmethode, Historisches Lernen, Filmanalyse, Filmwirtschaft, Globalisierung, Gegenwartsliteratur, Historiografie, Western, Kino, Kritiker, Filmgeschichte, Kriegsfilm, Weltkrieg II, Nationalsozialismus, Filmproduktion, Feuchtwanger, Lion, Handke, Peter, Interview, 20. …”
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Independent Theatre in Contemporary Europe Structures - Aesthetics - Cultural Policy

“…Theater…”
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»Failed« Migratory Adventures? Malian Men Facing Conditions Post Deportation in Southern Mali by Schultz, Susanne U.

“…Theater…”
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Independent Theatre in Contemporary Europe Structures - Aesthetics - Cultural Policy

“…Theater…”
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»Failed« Migratory Adventures? Malian Men Facing Conditions Post Deportation in Southern Mali by Schultz, Susanne U.

“…Theater…”
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Bastard or Playmate? Adapting Theatre, Mutating Media and Contemporary Performing Arts

“…Theater Topics…”
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Bastard or Playmate? Adapting Theatre, Mutating Media and Contemporary Performing Arts

“…Theater Topics…”
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MIMOS 2015 Rimini Protokoll

“…MIMOS - Schweizer Theater-Jahrbuch…”
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Passionate Amateurs - Theatre, Communism and Love by Ridout, Nicholas

“…Theater: Theory/Text/Performance…”
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MIMOS 2017 Ursina Lardi

“…MIMOS - Schweizer Theater-Jahrbuch…”
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Passionate Amateurs - Theatre, Communism and Love by Ridout, Nicholas

“…Theater: Theory/Text/Performance…”
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MIMOS 2015 Rimini Protokoll

“…MIMOS - Schweizer Theater-Jahrbuch…”
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MIMOS 2017 Ursina Lardi

“…MIMOS - Schweizer Theater-Jahrbuch…”
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