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Chronotropics Caribbean Women Writing Spacetime /
Published 2023Table of Contents: “…1: Introduction: Chronotropics -- Part I: Defiances/Divergences/Digressions -- 2: Of Slave Ships as Chronotopes: Fabienne Kanor's Humus and Yolanda Arroyo Pizarro's Las Negras -- 3: Wreckognition: Archival Ruins in Dionne Brand's The Blue Clerk -- 4: Past Histories and Present Realities: Reading Desire and Difference in Mayra Santos Febres' Fe en disfraz -- 5: Haunting Genealogies: Indo-Caribbean Feminist Literary Reimaginings of the Monstrous Past -- Part II: Traumas/Restructures/Retracings -- 6: Connecting Diasporas: Reading Erna Brodber's Work through African Fractal Theory -- 7: When the Tout-Monde is not one: Maryse Condé's Problematic 'World-in-Motion' in Les belles ténébreuses (2008) and Le fabuleux et triste destin d'Ivan et Ivana (2017) -- 8: Writing "In Transit": Literary Constructions of Sovereignty in Julia Alvarez's Afterlife -- Part III: Destruction/Desires/Disruptions -- 9: Beyond the Crossroad: Caribbean Environments, Gender and Race in Pauline Melville's The Ventriloquist's Tale and Elizabeth Nunez's Prospero's Daughter -- 10: Creolized Ecology in Mayra Montero's Palm of Darkness -- 11: Canadian Re-mapping of Caribbean Desire in Nalo Hopkinson's Sister Mine and Shani Mootoo's He Drown She in the Sea -- Part IV: Bilocation/Inhabitations/(G)hostings -- 12: Spiritual Crossings: Olokún and Caribbean Futures Past in La mucama de Omicunlé by Rita Indiana Hernández -- 13: A Site of Memory: Revisiting (in) Gisèle Pineau's Mes quatre femmes -- 14: At the Crossroads of History: The Cohabitation of Past and Present in Kettly Mars's L'Ange du patriarche -- 15: Fiction as a Spider's Web? …”
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Imago noctis Die Nacht in der Kunst des Abendlandes
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