Iravan
![Aravan worshipped at [[Sri Mariamman Temple, Singapore]]. A cobra hood is sheltering Aravan's head.](https://upload.wikimedia.org/wikipedia/commons/d/d9/Sri_Aravan.jpg)
The ''Mahabharata'' portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (''Mahabharata'' war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice.
The Draupadi tradition emphasises another boon: Krishna allows Aravan to witness the entire duration of the ''Mahabharata'' war through the eyes of his severed head. In another 18-day festival, the ceremonial head of Aravan is hoisted on a post to witness the ritual re-enactment of the ''Mahabharata'' war. The head of Aravan is a common motif in Draupadi temples. Often it is a portable wooden head; sometimes it even has its own shrine in the temple complex or is placed on the corners of temple roofs as a guardian against spirits. Aravan is worshipped in the form of his severed head and is believed to cure disease and induce pregnancy in childless women.
Iravan is also known in Indonesia (where his name is spelled Irawan). An independent set of traditions have developed around Irawan on the main island of Java where, for example, he loses his association with the Naga. Separate Javanese traditions present a dramatic marriage of Irawan to Titisari, daughter of Krishna, and a death resulting from a case of mistaken identity. These stories are told through the medium of traditional Javanese theatre (''Wayang''), especially in shadow-puppet plays known as ''Wayang Kulit''. Provided by Wikipedia
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PROFIL TINGKAT KECEMASAN ATLET PENCAK SILAT by Sapto irawan Irawan
Published 2021Connect to this object online.
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Paradigma Keilmuan Manajemen Pendidikan Islam by Irawan
Published 2016Connect to this object online.
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Chitosan dan Aplikasi Klinisnya Sebagai Biomaterial by Bambang Irawan
Published 2015Connect to this object online.
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TEACHING VOCABULARY BY USING REALIA (REAL-OBJECT) MEDIA by Dodi Irawan
Published 2017Connect to this object online.
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MATERIAL RESTORASI DIREK KEDOKTERAN GIGI SAAT INI by Bambang Irawan
Published 2015Connect to this object online.
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