Chapter Caught in a flash, arrested at a standstill
This article seeks to articulate in one image the diverse genocides in German history, an image able to capture the piling wreckages of history in a flash. The point of departure is a multimedia installation by William Kentridge called Black Box (2005), in which he thematizes the Herero and Namaqua...
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| Autor principal: | |
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| Formato: | Electrónico Capítulo de libro |
| Lenguaje: | inglés |
| Publicado: |
Amsterdam
Amsterdam University Press
2023
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| Materias: | |
| Acceso en línea: | DOAB: download the publication DOAB: description of the publication |
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| Sumario: | This article seeks to articulate in one image the diverse genocides in German history, an image able to capture the piling wreckages of history in a flash. The point of departure is a multimedia installation by William Kentridge called Black Box (2005), in which he thematizes the Herero and Namaqua genocide during German colonial rule between 1904 and 1908. This research wants to respond to Kentridge's demand for grief work, and relies on Walter Benjamin's (1968) vision of history writing and Rosemarie Buikema's (2020) concept of revolts to seek out theoretical and conceptual possibilities that allow it to posit simultaneously the singularity of the Holocaust, to articulate its deep connections with colonial crimes, and to demand a working through of Germany's genocidal history. |
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| Descripción Física: | 1 electronic resource (10 p.) |
| ISBN: | 9789048560110_wiese 9789048560110 9789048560127 |
| Acceso: | Open Access |