Chapter 1 A Semiotic Theory of Multimodality for the Divine Comedy
In this chapter the author lays out a theoretical groundwork for a semiotic theory of multimodality in the Divine Comedy. The analysis is not comprehensive of all modes, but limited to key-modal forms that Dante's text authorizes in order to understand the formation of codes based on different...
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| Formaat: | Elektronisch Hoofdstuk |
| Taal: | Engels |
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Taylor & Francis
2024
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| Online toegang: | DOAB: download the publication DOAB: description of the publication |
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3rd Floor Main Library
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A1234.567 |
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| Kopie 1 | Beschikbaar |