Improvising Across Abilities Pauline Oliveros and the Adaptive Use Musical Instrument

• Eará dahkkit: Ciufo, Thomas (Doaimmaheaddji), Dvorak, Abbey L. (Doaimmaheaddji), Haaheim, Kip (Doaimmaheaddji), Hurst, Jennifer (Doaimmaheaddji), Leu, Grace Shih-en (Doaimmaheaddji), Miller, Leaf (Doaimmaheaddji), Mizumura-Pence, Ray (Doaimmaheaddji), Oddy, Nicola (Doaimmaheaddji), Stewart, Jesse (Doaimmaheaddji), Sullivan, John (Doaimmaheaddji), Tucker, Sherrie (Doaimmaheaddji), Waterman, Ellen (Doaimmaheaddji), Wilks, Ranita (Doaimmaheaddji)
• Materiálatiipa: Elektrovnnalaš Girjji oassi
• Giella: eaŋgalasgiella
• Almmustuhtton: University of Michigan Press 2024
• Ráidu: Music and Social Justice
• Fáttát: Music; Theory of music & musicology; Disability: social aspects; Pauline Oliveros, Disability Justice, Disability and Music, Improvisation, Adaptive Musical Instruments, Music Therapy, Adaptive and Assistive Technology, Community Music, Inclusive Music, Accessibility in Music Making, Community Building, Disability Performance, Music and Special Education, Disability Activism and Music, AUMI, Deep Listening, Expanded Instrument System, Adaptive Digital Musical Instrument, Critical Improvisation Studies, Improvisation, Community, and Social Practice, Disability, Disabled People, People With Disabilities
• Liŋkkat: DOAB: download the publication; DOAB: description of the publication