Bearbmagovva

Re-Reading Hanslick's Aesthetics Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen

Čájet eará veršuvnnaid (2)

This study examines the reception of Eduard Hanslick in Anglo-american discourse from its earliest instances in the 19th century up to analytical philosophy of music. This book thus analyzes primarily the discoursive conditions of Hanslick's reception, which developed distinctly as part of diff...

Olles dieđut

Furkejuvvon:
Bibliográfalaš dieđut
Váldodahkki: Wilfing, Alexander (auth)
Eará dahkkit: Lodes, Birgit (Doaimmaheaddji), Calella, Michele (Doaimmaheaddji)
Materiálatiipa: Elektrovnnalaš Girjji oassi
Almmustuhtton: Hollitzer 2019
Fáttát:
Eduard Hanslick, formalism, aesthetics of music, music and emotion, theory of emotion, analytical philosophy, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell
Eduard Hanslick, Formalismus, Musikästhetik, Musik und Gefühl, Emotionstheorie, analytische Philosophie, New Musicology, Immanuel Kant, Peter Kivy, Stephen Davies, Edmund Gurney, Adam Smith, Heinrich Schenker, John Sullivan Dwight, Clive Bell
Liŋkkat:DOAB: download the publication
DOAB: description of the publication
Fáddágilkorat: Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!

Geahča maid

Geahča maid