Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept
Ostrannenie ('making it strange') has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the 'Russian Formalist' Viktor Shklovsky in 19...
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| Format: | Électronique Chapitre de livre |
| Langue: | anglais |
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Amsterdam University Press
2010
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| Collection: | The Key Debates: Mutations and Appropriations in European Film Studies
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| Accès en ligne: | DOAB: download the publication DOAB: description of the publication |
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DOAB: download the publicationDOAB: description of the publication
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