Reading Shakespeare's mind

This book shows that William Shakespeare was a more personal writer than any of his innumerable commentators have realised. It asserts that numerous characters and events were drawn from the author's life, and puts faces to the names of Jaques, Touchstone, Feste, Jessica, the 'Dark Lady�...

ver descrição completa

Na minha lista:
Detalhes bibliográficos
Autor principal: Sohmer, Steve (auth)
Formato: Recurso Electrónico Capítulo de Livro
Idioma:inglês
Publicado em: Manchester Manchester University Press 2017
Assuntos:
Acesso em linha:DOAB: download the publication
DOAB: description of the publication
Tags: Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!

MARC

LEADER 00000naaaa2200000uu 4500
001 doab_20_500_12854_36731
005 20210210
003 oapen
006 m o d
007 cr|mn|---annan
008 20210210s2017 xx |||||o ||| 0|eng d
020 |a manchester/9781526113276.001.0001 
020 |a 9781526113276 
040 |a oapen  |c oapen 
024 7 |a 10.7228/manchester/9781526113276.001.0001  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a DSGS  |2 bicssc 
100 1 |a Sohmer, Steve  |4 auth 
245 1 0 |a Reading Shakespeare's mind 
260 |a Manchester  |b Manchester University Press  |c 2017 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This book shows that William Shakespeare was a more personal writer than any of his innumerable commentators have realised. It asserts that numerous characters and events were drawn from the author's life, and puts faces to the names of Jaques, Touchstone, Feste, Jessica, the 'Dark Lady' and others.Steven Sohmer explores aspects of Shakespeare's plays and sonnets that have been hitherto overlooked or misinterpreted in an effort to better understand the man and his work. If you've ever wondered who Pigrogromitus was, or why Jaques spies on Touchstone and Audrey - or what the famous riddle M.O.A.I. stands for - this is the book for you. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode 
546 |a English 
650 7 |a Shakespeare studies & criticism  |2 bicssc 
653 |a Literature 
653 |a Shakespeare 
653 |a Criticism 
653 |a Goethe 
653 |a Coleridge 
653 |a Theatre Studies 
653 |a Marlowe 
653 |a Jonson 
653 |a Twelfth Night 
653 |a As You Like It 
653 |a The Merchant of Venice 
653 |a M.O.A.I. 
653 |a Literary criticism 
653 |a historiography 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/25820/1/1004269.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/25820/1/1004269.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/25820/1/1004269.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/25820/1/1004269.pdf  |7 0  |z DOAB: download the publication 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/36731  |7 0  |z DOAB: description of the publication