Crash Cinema and the Politics of Speed and Stasis
Artists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the cras...
Enregistré dans:
Auteur principal: | Beckman, Karen (auth) |
---|---|
Format: | Électronique Chapitre de livre |
Langue: | anglais |
Publié: |
Duke University Press
2010
|
Sujets: | |
Accès en ligne: | DOAB: download the publication DOAB: description of the publication |
Tags: |
Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
|
Documents similaires
-
Crash Cinema and the Politics of Speed and Stasis
par: Beckman, Karen
Publié: (2010) -
From Self-Fulfilment to Survival of the Fittest Work in European Cinema from the 1960s to the Present
par: Mazierska, Ewa
Publié: (2015) -
From Self-Fulfilment to Survival of the Fittest Work in European Cinema from the 1960s to the Present
par: Mazierska, Ewa
Publié: (2015) -
Sex, Politics, and Comedy The Transnational Cinema of Ernst Lubitsch
par: McCormick, Richard W.
Publié: (2020) -
The Apartment Plot Urban Living in American Film and Popular Culture, 1945 to 1975
par: Wojcik, Pamela Robertson
Publié: (2010)