The End of Desire jrfm

This article explores the soteriological significance of desire in Сталкер (STALKER, Andrei Tarkovsky, RU 1979). At the heart of the film, deep within a paranormal and psychosomatic frontier called the Zone, is a space which signifies the end of all desire: the Room, a preternatural place of mystica...

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Bibliographic Details
Main Author: James Lorenz (auth)
Format: Electronic Book Chapter
Language:English
Published: Schüren Verlag 2020
Series:Journal for Religion, Film and Media
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3rd Floor Main Library

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Call Number: A1234.567
Copy 1 Available