The End of Desire jrfm
This article explores the soteriological significance of desire in Сталкер (STALKER, Andrei Tarkovsky, RU 1979). At the heart of the film, deep within a paranormal and psychosomatic frontier called the Zone, is a space which signifies the end of all desire: the Room, a preternatural place of mystica...
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| Hoofdauteur: | |
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| Formaat: | Elektronisch Hoofdstuk |
| Taal: | Engels |
| Gepubliceerd in: |
Schüren Verlag
2020
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| Reeks: | Journal for Religion, Film and Media
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| Online toegang: | DOAB: download the publication DOAB: description of the publication |
| Tags: |
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Internet
DOAB: download the publicationDOAB: description of the publication
3rd Floor Main Library
| Plaatsingsnummer: |
A1234.567 |
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| Kopie 1 | Beschikbaar |