Tainted Souls and Painted Faces The Rhetoric of Fallenness in Victorian Culture

• Váldodahkki: Anderson, Amanda (auth)
• Materiálatiipa: Elektrovnnalaš Girjji oassi
• Giella: eaŋgalasgiella
• Almmustuhtton: Cornell University Press 2018
• Fáttát: Literature: history & criticism
• Liŋkkat: DOAB: download the publication; DOAB: description of the publication

Čoahkkáigeassu

Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction-the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction-the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

Olgguldas hápmi

1 electronic resource (264 p.)

ISBN

book.58013
9781501722684

Beassan

Open Access