The Field of Musical Improvisation
The central aim of this book is to present a new approach to "the field of musical improvisation" (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are "at work" than...
সংরক্ষণ করুন:
প্রধান লেখক: | |
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বিন্যাস: | বৈদ্যুতিক গ্রন্থের অধ্যায় |
ভাষা: | ইংরেজি |
প্রকাশিত: |
Leiden University Press
2017
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বিষয়গুলি: | |
অনলাইন ব্যবহার করুন: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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সংক্ষিপ্ত: | The central aim of this book is to present a new approach to "the field of musical improvisation" (FMI), a theory which understands improvisation as a nonlinear dynamic and complex system. The study provocatively argues that during an improvisation more actants are "at work" than musicians alone: space, acoustics, instruments, audience, technicians, musical and socio-cultural backgrounds, technology, and the like all play a significant role. However, not all of these actants determine every improvisation to the same extent; some are more prominent and active than others in certain situations (periods, styles, cultures, as well as more singular circumstances). Therefore, the FMI theory will prove to be more than a theory dealing with improvisation "in general". Rather, FMI emphasizes singularity: each improvisation thus yields a different network of actants and interactions, a unique configuration or assembly. |
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আইসবিএন: | 9789400603011 |
প্রবেশাধিকার: | Open Access |