Farocki/Godard. Film as Theory
There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuo...
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| Materialtyp: | Elektronisk Bokavsnitt |
| Språk: | engelska |
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Amsterdam University Press
2015
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| Serie: | Film Culture in Transition
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| Länkar: | OAPEN Library: download the publication OAPEN Library: description of the publication |
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Internet
OAPEN Library: download the publicationOAPEN Library: description of the publication
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