Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept

Ostrannenie ('making it strange') has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the 'Russian Formalist' Viktor Shklovsky in 19...

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Detalhes bibliográficos
Outros Autores: van den Oever, Annie (Editor)
Formato: Recurso Electrónico Capítulo de Livro
Idioma:inglês
Publicado em: Amsterdam University Press 2010
Colecção:The Key Debates: Mutations and Appropriations in European Film Studies 1
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