Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept

Ostrannenie ('making it strange') has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the 'Russian Formalist' Viktor Shklovsky in 19...

Full description

Saved in:
Bibliographic Details
Other Authors: van den Oever, Annie (Editor)
Format: Electronic Book Chapter
Language:English
Published: Amsterdam University Press 2010
Series:The Key Debates: Mutations and Appropriations in European Film Studies 1
Subjects:
Online Access:OAPEN Library: download the publication
OAPEN Library: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_32758
005 20161231
003 oapen
006 m o d
007 cr|mn|---annan
008 20161231s2010 xx |||||o ||| 0|eng d
020 |a OAPEN_605865 
020 |a 9789089640796 
040 |a oapen  |c oapen 
024 7 |a 10.26530/OAPEN_605865  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a APFA  |2 bicssc 
100 1 |a van den Oever, Annie  |4 edt 
700 1 |a van den Oever, Annie  |4 oth 
245 1 0 |a Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept 
260 |b Amsterdam University Press  |c 2010 
300 |a 1 electronic resource (280 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a The Key Debates: Mutations and Appropriations in European Film Studies  |v 1 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Ostrannenie ('making it strange') has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the 'Russian Formalist' Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. European Film Studies ­ 'The Key Debates is a new film series from Amsterdam University Press edited by Annie van den Oever (the founding editor), Ian Christie and Dominique Chateau. The editors' ambition is to uncover and track the process of appropriation of critical terms in film theory in order to give the European film heritage the attention it deserves. With contributions from Ian Christie, Yuri Tsivian, Dominique Chateau, Frank Kessler, Laurent Jullier, Miklós Kiss, Annie van den Oever, Emile Poppe, László Tarnay, Barend van Heusden, András Bálint Kovács, and Laura Mulvey, this important study is a wonderful piece of imaginative yet rigorous scholarship. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/3.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/3.0/ 
546 |a English 
650 7 |a Film theory & criticism  |2 bicssc 
653 |a ostrannenie 
653 |a defamiliarisation 
653 |a Avant-garde 
653 |a Bertolt Brecht 
653 |a Distancing effect 
653 |a Futurism 
653 |a History of film 
653 |a Russian formalism 
653 |a Viktor Shklovsky 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/9f74ddfd-1bf0-4290-8eb5-99efcf4b8336/605865.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u http://library.oapen.org/handle/20.500.12657/32758  |7 0  |z OAPEN Library: description of the publication