Ostrannenie. On "Strangeness" and the Moving Image. The History, Reception, and Relevance of a Concept

Ostrannenie ('making it strange') has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the 'Russian Formalist' Viktor Shklovsky in 19...

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Bibliografski detalji
Daljnji autori: van den Oever, Annie (Urednik)
Format: Elektronički Poglavlje knjige
Jezik:engleski
Izdano: Amsterdam University Press 2010
Serija:The Key Debates: Mutations and Appropriations in European Film Studies 1
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