Painting the Novel Pictorial Discourse in Eighteenth-Century English Fiction

Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting - a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century...

Cur síos iomlán

Sábháilte in:
Sonraí bibleagrafaíochta
Príomhchruthaitheoir: Lipski, Jakub (auth)
Formáid: Leictreonach Caibidil leabhair
Teanga:Béarla
Foilsithe / Cruthaithe: Taylor & Francis 2018
Sraith:British Literature in Context in the Long Eighteenth Century
Ábhair:
Rochtain ar líne:OAPEN Library: download the publication
OAPEN Library: description of the publication
Clibeanna: Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!

MARC

LEADER 00000naaaa2200000uu 4500
001 oapen_2024_20_500_12657_46423
005 20210202
003 oapen
006 m o d
007 cr|mn|---annan
008 20210202s2018 xx |||||o ||| 0|eng d
020 |a 9781351137812 
040 |a oapen  |c oapen 
024 7 |a 10.4324/9781351137812  |c doi 
041 0 |a eng 
042 |a dc 
072 7 |a DS  |2 bicssc 
100 1 |a Lipski, Jakub  |4 auth 
245 1 0 |a Painting the Novel  |b Pictorial Discourse in Eighteenth-Century English Fiction 
260 |b Taylor & Francis  |c 2018 
300 |a 1 electronic resource (174 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a British Literature in Context in the Long Eighteenth Century 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting - a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century novelists from Daniel Defoe to Ann Radcliffe referred to the visual arts, recalling specific names or artworks, but also artistic styles and conventions, in an attempt to define the generic constitution of their fictions. In this, the novelists took part in the discussion of the sister arts, not only by pointing to the affinities between them but also, more importantly, by recognising their potential to inform one another; in other words, they expressed a conviction that the theory of a new genre can be successfully rendered through meta-pictorial analogies. By tracing the uses of painting in eighteenth-century novelistic discourse, this book sheds new light on the history of the so-called "rise of the novel". 
540 |a All rights reserved  |4 http://oapen.org/content/about-rights 
546 |a English 
650 7 |a Literature: history & criticism  |2 bicssc 
653 |a Literature: history and criticism 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/id/4422dc27-9ae6-4664-9ab0-6b6790e00f4d/9781351137805.pdf  |7 0  |z OAPEN Library: download the publication 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/handle/20.500.12657/46423  |7 0  |z OAPEN Library: description of the publication