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Rape at the Opera Staging Sexual Violence

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The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormi...

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Bibliografische gegevens
Hoofdauteur: Cormier, Margaret (auth)
Formaat: Elektronisch Hoofdstuk
Taal:Engels
Gepubliceerd in: University of Michigan Press 2024
Reeks:Music and Social Justice
Onderwerpen:
Music
Opera
Gender studies, gender groups
sexual violence, rape, sexual assault, opera, opera canon, canonic operas, opera production, opera in performance, feminist analysis, care ethics, critical production, Regietheater, Regieoper, trauma, rape myths, rape stereotypes, agency, war rape, rape as a metaphor, intimacy direction, intimacy choreography, opera direction, opera director, concept production, adaptation, Don Giovanni, Die Entführung aus dem Serail, Salome, Guillaume Tell, Turandot, La forza del destino, Un ballo in maschera
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