Il tempo del diaspro. La litosfera di Luigi Meneghello
In Luigi Meneghello's work, literary representations of the mineral world play a deconstructive role, in that they authorize unprecedented and transversal readings aimed at unlocking the writer's material and scientific imagery. Meneghello quite literally seems to have 'stratified...
Bewaard in:
| Hoofdauteur: | |
|---|---|
| Formaat: | Elektronisch Hoofdstuk |
| Taal: | Italiaans |
| Gepubliceerd in: |
Florence
Firenze University Press
2023
|
| Reeks: | Biblioteca di Studi di Filologia Moderna
73 |
| Onderwerpen: | |
| Online toegang: | OAPEN Library: download the publication OAPEN Library: description of the publication |
| Tags: |
Voeg label toe
Geen labels, Wees de eerste die dit record labelt!
|
MARC
| LEADER | 00000naaaa2200000uu 4500 | ||
|---|---|---|---|
| 001 | oapen_2024_20_500_12657_85575 | ||
| 005 | 20231127 | ||
| 003 | oapen | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20231127s2023 xx |||||o ||| 0|ita d | ||
| 020 | |a 979-12-215-0148-3 | ||
| 020 | |a 9791221501483 | ||
| 020 | |a 9791221501490 | ||
| 040 | |a oapen |c oapen | ||
| 024 | 7 | |a 10.36253/979-12-215-0148-3 |c doi | |
| 041 | 0 | |a ita | |
| 042 | |a dc | ||
| 072 | 7 | |a D |2 bicssc | |
| 100 | 1 | |a Salvadori, Diego |4 auth | |
| 245 | 1 | 0 | |a Il tempo del diaspro. La litosfera di Luigi Meneghello |
| 260 | |a Florence |b Firenze University Press |c 2023 | ||
| 300 | |a 1 electronic resource (134 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Biblioteca di Studi di Filologia Moderna |v 73 | |
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a In Luigi Meneghello's work, literary representations of the mineral world play a deconstructive role, in that they authorize unprecedented and transversal readings aimed at unlocking the writer's material and scientific imagery. Meneghello quite literally seems to have 'stratified' his creative work through using this imagery, from the lithogenesis of writing to the semantics of the crystal, petrifying reveries, and the effusive magma of language. The líthos is used as a 'probe', a hermeneutic sounding device through which to investigate cultural systems, the sedimentation of collective memory, and the role of writing itself, and it functions as a privileged access key to the author's poetics. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a Italian | ||
| 650 | 7 | |a Literature & literary studies |2 bicssc | |
| 653 | |a Comparative Literature | ||
| 653 | |a Ecocriticism | ||
| 653 | |a Lapidaries | ||
| 653 | |a Luigi Meneghello | ||
| 653 | |a Material Imagination | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/id/6befc648-4f0d-4bd1-8abf-c1e16f41b0e5/38201.pdf |7 0 |z OAPEN Library: download the publication |
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/handle/20.500.12657/85575 |7 0 |z OAPEN Library: description of the publication |