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Chapter 1 A Semiotic Theory of Multimodality for the Divine Comedy

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In this chapter the author lays out a theoretical groundwork for a semiotic theory of multimodality in the Divine Comedy. The analysis is not comprehensive of all modes, but limited to key-modal forms that Dante's text authorizes in order to understand the formation of codes based on different...

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Bibliográfalaš dieđut
Váldodahkki: De Benedictis, Raffaele (auth)
Materiálatiipa: Elektrovnnalaš Girjji oassi
Giella:eaŋgalasgiella
Almmustuhtton: Taylor & Francis 2024
Fáttát:
Literature: history & criticism
Literary studies: classical, early & medieval
Literary theory
Philosophy of language
semiotics, multimodality, divine comedy, Literary Criticism, Multiliteracy, language-as-writing, signification
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DOAB: description of the publication
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